KKS 73

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Revision as of 20:01, 29 August 2026 by Fujiwaranoteika (talk | contribs) (Created page with "Previous poem | Next poem == Text == [Topic unknown] [Poet unknown] うつせみのよにもにたるか花桜さくと見しまにかつちりにけり {{PoemPair |orig= <poem> utsusemi no yo ni mo nitaru ka hanazakura saku to mi-si ma ni katsu chiri-ni-keri </poem> |trans= <poem> This fleeting world It resembles indeed The cherry tree When I had just seen it bloom It so quickly scattered. </poem> }} == Notes == ;This fleeting world :The...")
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うつせみのよにもにたるか花桜さくと見しまにかつちりにけり

utsusemi no
yo ni mo nitaru ka
hanazakura
saku to mi-si ma ni
katsu chiri-ni-keri

This fleeting world
It resembles indeed
The cherry tree
When I had just seen it bloom
It so quickly scattered.

Notes

This fleeting world
The word utsusemi originally referred to the world of humans. Although it was originally unrelated to the word semi (cicada), by the early Heian period it had been reinterpreted that way, helped by the idea of the hollow shell that the cicada casts off. Here it seems to be used just a pillow word for yo (world) and probably has no connection to the cicada. The connection of the word to emptiness or the "fleeting" world also seems to be a later idea although one that seems to be present here.
The cherry tree
In most of the poems the cherry is represented as sakura or sakurabana. The use of hanazakura here is unusual, and there seems to be a division of opinion in both pre-modern and modern commentary. One theory is that this represents a certain kind of cherry tree, and the other is that it is simply a poetic term for a regular cherry. Keichū (Yozaishō) has a particularly lengthy analysis of the term but his conclusion is somewhat evasive.

Other sources:

Analysis

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