KKS V1J: Difference between revisions
No edit summary |
No edit summary |
||
| Line 61: | Line 61: | ||
* 見らん] 見えん(清)- Some Kiyosuke-bon manuscripts mark this reading as doubtful. The ''[[Kokin waka rokujō]]'' version also uses みえん. Teika rejected the alternate reading which ended the discussion. Takeoka quotes the Edo-period scholar Fujitani Nariakira who thought that the text had been changed to みえん by someone unfamiliar with the grammar (みらん is a shortening of the more familiar みるらん). But え and ら can look quite similar in calligraphic writing so it could be a miscopying as well. | * 見らん] 見えん(清)- Some Kiyosuke-bon manuscripts mark this reading as doubtful. The ''[[Kokin waka rokujō]]'' version also uses みえん. Teika rejected the alternate reading which ended the discussion. Takeoka quotes the Edo-period scholar Fujitani Nariakira who thought that the text had been changed to みえん by someone unfamiliar with the grammar (みらん is a shortening of the more familiar みるらん). But え and ら can look quite similar in calligraphic writing so it could be a miscopying as well. | ||
* のなく] | * のなく] ぞなく(''伊'')- This reading is also found in the modern editions that use the 伊達家本 as the base text (竹岡全評釈・新編国歌大観・和歌文学大系). | ||
= [[KKS 7|7]] = | = [[KKS 7|7]] = | ||
| Line 212: | Line 212: | ||
= [[KKS 22|22]] = | = [[KKS 22|22]] = | ||
歌たてまつれとおほせられし時よみてたてまつる | |||
つらゆき | |||
春日野のわかなつみにや白妙の袖ふりはへて人の行らん | |||
* おほせられし時] おほせられし時に(''貞'') | |||
Revision as of 14:14, 8 June 2026
ふるとしに春たちける日よめる
在原元方
年の内に春はきにけり一とせをこぞとやいはんことしとやいはん
春たちける日よめる
紀貫之
袖ひちてむすびし水の氷れるを春たつけふの風やとくらん
題しらず
よみ人しらず
春霞たてるやいづこみよしのゝ吉野の山に雪はふりつゝ
- たてる] たたる(元・清ィ・俊ィ)- The 新撰和歌 also reads たたる, as do some of the early poetic manuals. They seem to mean roughly the same thing (Katagiri suggests a sound change たちたる -> たったる -> たたる (whereas たてる is たちある -> たてる). Fujiwara no Norinaga claimed that a manuscript in the hand of Ki no Tsurayuki's sister read たたる and that Emperor Sutoku agreed with that reading. Shunzei also supported the reading. Mabuchi noted that たたる is an old word and seems to have thought it fit better with this anonymous poem, but no modern edition emends the text. Takeoka notes that たたる occurs in a sekimori poem in MYS 4375 and may have been dialect, and Katagiri agrees that it is either dialect or old-fashioned.
- いづこ] いづく(清ィ)
--
- 春霞
- Although this is commonly voiced as はるがすみ (or simply not assigned a reading at all), Takeoka does not voice on the evidence of the 声点本, some medieval commentaries, and the 時代別国語大辞典.
二条のきさきの春のはしめの御歌
雪のうちに春はきにけり鶯のこほれる涙いまやとくらん
- 二条のきさきの] These words are not in the preface in 元, instead 二条后 is in the "author" place.
題しらず
よみ人しらず
梅がえにきゐる鶯春かけてなけどもいまだ雪は降つゝ
--
- 梅
- This word was read うめ in the MYS but in the Heian period it was often むめ. The manuscripts of KKS in Kyusojin Hitaku's 成立論・資料編 overwhelmingly read むめ in kana, with only a single うめ and a few kanji.
雪の木にふりかゝれるをよめる
素性法師
春たてば花とや見らん白雪のかゝれる枝にうぐひすのなく
- 見らん] 見えん(清)- Some Kiyosuke-bon manuscripts mark this reading as doubtful. The Kokin waka rokujō version also uses みえん. Teika rejected the alternate reading which ended the discussion. Takeoka quotes the Edo-period scholar Fujitani Nariakira who thought that the text had been changed to みえん by someone unfamiliar with the grammar (みらん is a shortening of the more familiar みるらん). But え and ら can look quite similar in calligraphic writing so it could be a miscopying as well.
- のなく] ぞなく(伊)- This reading is also found in the modern editions that use the 伊達家本 as the base text (竹岡全評釈・新編国歌大観・和歌文学大系).
題しらず
よみ人しらず
心ざしふかくそめてしおりければきえあへぬ雪の花とみゆらん
ある人のいはくさきのおほきおほいまうちきみの歌也
- ふかくそめて] ふかくしそめて(元)
- みゆらん] みゆるか(元・雅・清・俊)- Some of the Kiyosuke and Shunzei texts have this reading marked as doubtful.
- おほきおほい] おほい(元)
- (左注 absent in 雅)
--
- まうちきみ
- Takeoka does not voice, citing the 寂恵本. 日国's main entry does not voice either although it notes the voiced version as an option.
二条后のとう宮のみやすむ所ときこえける時、正月三日おまへにめして、おほせごとあるあひだに、日はてりながら雪のかしらにふりかゝりけるをよませ給ける
文屋やすひで
春の日のひかりにあたる我なれどかしらの雪となるぞわびしき
- 我] 花(元・雅・清・俊ィ)- see main poem for explanation
- 雪と] 雪に(俊)
--
- 正月三日
- むつきのみか. The むつき reading is found in several alternate manuscripts, and the 伊呂波字類抄 and the 八雲御抄 both have this reading. The reading みか is found in kana sources, although it's not completely clear when this was pronounced みっか.
雪の降けるをよめる
きのつらゆき
霞たちこのめも春の雪ふれば花なき里も花ぞちりける
春の始によめる
ふぢはらのことなを
はるやとき花やをそきときゝわかん鶯だにもなかずも有哉
春の始の歌
みふのたゞみね
春きぬと人はいへども鶯のなかぬかぎりはあらじとぞ思ふ
寛平御時きさいの宮の歌合のうた
源まさずみ
谷風にとくる氷のひまごとにうち出る波や春のはつ花
- 谷風] 山風(元・雅・清・俊ィ) - see main poem notes
--
- 寛平
- Most of the time this is read as Kanpyō, but Takeoka notes that both クワンペイ and クワンピャウ exist as readings and that the early 17th c. dictionary 日本大文典 reads "Quampei" (using Portuguese missionary romaji).
紀とものり
花のかを風のたよりにたぐへてぞ鶯さそふしるべにはやる
大江千里
鶯の谷より出る声なくは春くることをたれかしらまし
- 大江千里] よみ人しらず(雅・清)
- たれか] いかで(元)
在原棟梁 (業平朝臣男)
はるたてど花も匂はぬ山ざとは物うかるねに鶯ぞなく
--
- 山ざと
- Takeoka voices based on the 毘沙門 commentary. 新大系 also voices. Katagiri's base text is 山里 and he provides no reading.
題しらず
よみ人しらず
のべちかくいへゐしせれば鶯のなくなる声は朝な\/きく
- ゐしせれば] ゐをすれば(元)
- 声は] 声を(元)
春日野はけふはなやきそ若草のつまもこもれり我もこもれり
かすがのゝとぶひのゝもり出て見よいまいくか有て若なつみてん
- In 貞 and the 寂恵本 the order of 18 and 19 is switched. The 新大系 follows this order.
み山には松の雪だにきえなくに都はのべのわかなつみけり
- のべの] のべに(元・清・俊~)
梓弓をして春雨けふゝりぬあすさへふらばわかなつみてん
- つらゆき as author(元)
仁和のみかどみこにおまし\/ける時に人にわかなたまひける御うた
君がため春の野に出て若なつむ我衣でに雪は降つゝ
- おまし\/ける - All texts except for Teika's and one manuscript of Shunzei's read おはしましける. The word おまします doesn't seem to exist (except in later sources that are clearly influenced by this poem), and I agree with Katagiri that this is likely a copying mistake that Teika, for some reason, adopted from Shunzei's text.
--
- 仁和
- This is normally read as にんな but Takeoka notes that in the early 17th c. dictionary 日本大文典, it is read as "Ninva" (にんわ in Portuguese romaji).
歌たてまつれとおほせられし時よみてたてまつる
つらゆき
春日野のわかなつみにや白妙の袖ふりはへて人の行らん
- おほせられし時] おほせられし時に(貞)