KKS 66: Difference between revisions
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Created page with "Previous poem | Next poem == Text == 紀有朋 Ki no Aritomo 桜色に衣はふかくそめてきん花のちりなん後の形見に {{PoemPair |orig= <poem> sakuriro ni koromo wa fukaku some-te ki-n hana no chiri-nan nochi no katami ni </poem> |trans= <poem> </poem> }} == Notes == Other sources: * ''Shinsen waka'' | ''Kokin waka rokujō'' * ''Teika hachidaishō'' == Analysis == Previous poem | KKS 67|Nex..." |
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|orig= | |orig= | ||
<poem> | <poem> | ||
sakurairo ni | |||
koromo wa fukaku | koromo wa fukaku | ||
some-te ki-n | some-te ki-n | ||
| Line 21: | Line 21: | ||
|trans= | |trans= | ||
<poem> | <poem> | ||
Deep with the color | |||
Of cherry blossoms I will dye | |||
And wear my clothing | |||
After the flowers fall | |||
As a memento of them. | |||
</poem> | </poem> | ||
}} | }} | ||
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== Notes == | == Notes == | ||
;Color of cherry blossoms | |||
:This term caused some confusion across KKS commentary history, especially with the adjective ''fukashi'' (deep) applied to it. Cherries are a very light pink, so how "deep" can the color be? Various explanations have been offered: | |||
* This is actually a word for a Heian clothing color scheme with a white front and a blue back (this is mostly found in older commentaries) | |||
* This actually refers to scent rather than color | |||
* "Deep" just means doing the dyeing several times so that the color sets into the fabric, not that the color is actually deep (among the scholars who take this view is Takeoka) | |||
:Katagiri does not address the issue at all. | |||
Other sources: | Other sources: | ||
Revision as of 19:08, 3 August 2026
Text
紀有朋
桜色に衣はふかくそめてきん花のちりなん後の形見に
|
sakurairo ni |
Deep with the color |
Notes
- Color of cherry blossoms
- This term caused some confusion across KKS commentary history, especially with the adjective fukashi (deep) applied to it. Cherries are a very light pink, so how "deep" can the color be? Various explanations have been offered:
- This is actually a word for a Heian clothing color scheme with a white front and a blue back (this is mostly found in older commentaries)
- This actually refers to scent rather than color
- "Deep" just means doing the dyeing several times so that the color sets into the fabric, not that the color is actually deep (among the scholars who take this view is Takeoka)
- Katagiri does not address the issue at all.
Other sources:
