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	<id>https://wakawiki.net/index.php?action=history&amp;feed=atom&amp;title=KKS_Kanajo_8</id>
	<title>KKS Kanajo 8 - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://wakawiki.net/index.php?action=history&amp;feed=atom&amp;title=KKS_Kanajo_8"/>
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	<updated>2026-11-02T14:48:42Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://wakawiki.net/index.php?title=KKS_Kanajo_8&amp;diff=389&amp;oldid=prev</id>
		<title>Fujiwaranoteika: /* Translation */</title>
		<link rel="alternate" type="text/html" href="https://wakawiki.net/index.php?title=KKS_Kanajo_8&amp;diff=389&amp;oldid=prev"/>
		<updated>2026-06-11T14:18:28Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Translation&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw-interface=&quot;&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:18, 11 June 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot;&gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;それが中にも、梅をかざすより始めて、&amp;lt;ruby&amp;gt;郭公&amp;lt;rt&amp;gt;ほととぎす&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;を聞き、紅葉を折り、雪を見るに至るまで、また鶴・亀に付けて君を思ひ、人をも祝ひ、秋萩・夏草を見て妻を恋ひ、&amp;lt;ruby&amp;gt;逢坂&amp;lt;rt&amp;gt;あふさか&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;山に至りて&amp;lt;ruby&amp;gt;手向&amp;lt;rt&amp;gt;たむ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;けを祈りり、あるは春・夏・秋・冬にも入らぬ草々の歌をなん選ばせたまひける。すべて千歌、&amp;lt;ruby&amp;gt;二十巻&amp;lt;rt&amp;gt;はたまき&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;、名づけて古今和歌集と言ふ。&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;それが中にも、梅をかざすより始めて、&amp;lt;ruby&amp;gt;郭公&amp;lt;rt&amp;gt;ほととぎす&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;を聞き、紅葉を折り、雪を見るに至るまで、また鶴・亀に付けて君を思ひ、人をも祝ひ、秋萩・夏草を見て妻を恋ひ、&amp;lt;ruby&amp;gt;逢坂&amp;lt;rt&amp;gt;あふさか&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;山に至りて&amp;lt;ruby&amp;gt;手向&amp;lt;rt&amp;gt;たむ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;けを祈りり、あるは春・夏・秋・冬にも入らぬ草々の歌をなん選ばせたまひける。すべて千歌、&amp;lt;ruby&amp;gt;二十巻&amp;lt;rt&amp;gt;はたまき&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;、名づけて古今和歌集と言ふ。&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Then, the current Emperor has now ruled the land for nine turnings of the four seasons. The waves of his all-encompassing beneficence have gone beyond the eight islands, and the shadow of his broad blessing is deeper than that at the foot of Mount Tsukuha. In moments of leisure from his many governmental tasks, he has not neglected any of the various rites, and therefore, so that the things of old will not be forgotten, and that which has lapsed will be restored, he has seen to this himself, and wishes to transmit to later generations. So on the 18th day of the 4th month of the 5th year of Engi, he commanded Imperial Scribe Ki no Tomonori, Book Master Ki no Tsurayuki, Former Minor Official of Kai Province &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Oshikochi &lt;/del&gt;no Mitsune, and Right Guards Official &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mifu &lt;/del&gt;no Tadamine, to present old poems that were not included in the &#039;&#039;Man&#039;yōshū&#039;&#039; as well as their own poems.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Then, the current Emperor has now ruled the land for nine turnings of the four seasons. The waves of his all-encompassing beneficence have gone beyond the eight islands, and the shadow of his broad blessing is deeper than that at the foot of Mount Tsukuha. In moments of leisure from his many governmental tasks, he has not neglected any of the various rites, and therefore, so that the things of old will not be forgotten, and that which has lapsed will be restored, he has seen to this himself, and wishes to transmit to later generations. So on the 18th day of the 4th month of the 5th year of Engi, he commanded Imperial Scribe &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Ki no Tomonori&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;, Book Master &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Ki no Tsurayuki&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;, Former Minor Official of Kai Province &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Ōshikōchi &lt;/ins&gt;no Mitsune&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;, and Right Guards Official &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Mibu &lt;/ins&gt;no Tadamine&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;, to present old poems that were not included in the &#039;&#039;Man&#039;yōshū&#039;&#039; as well as their own poems.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Among these, they chose poems beginning with poems about adoring one&amp;#039;s cap with plum blossoms, hearing cuckoos, breaking off colored leaves, and extending to those about seeing snow; also, praising one&amp;#039;s lord by comparison to cranes and turtles, longing for one&amp;#039;s wife on seeing autumn &amp;#039;&amp;#039;hagi&amp;#039;&amp;#039; and summer grasses, and praying for safe passage at Ōsaka Mountain, and then various poems that do not fit as spring, summer, autumn, or winter. They were collected into 20 volumes of 1000 poems, and named the &amp;quot;Collection of Poems Ancient and Modern.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Among these, they chose poems beginning with poems about adoring one&amp;#039;s cap with plum blossoms, hearing cuckoos, breaking off colored leaves, and extending to those about seeing snow; also, praising one&amp;#039;s lord by comparison to cranes and turtles, longing for one&amp;#039;s wife on seeing autumn &amp;#039;&amp;#039;hagi&amp;#039;&amp;#039; and summer grasses, and praying for safe passage at Ōsaka Mountain, and then various poems that do not fit as spring, summer, autumn, or winter. They were collected into 20 volumes of 1000 poems, and named the &amp;quot;Collection of Poems Ancient and Modern.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fujiwaranoteika</name></author>
	</entry>
	<entry>
		<id>https://wakawiki.net/index.php?title=KKS_Kanajo_8&amp;diff=93&amp;oldid=prev</id>
		<title>Fujiwaranoteika at 19:14, 28 May 2026</title>
		<link rel="alternate" type="text/html" href="https://wakawiki.net/index.php?title=KKS_Kanajo_8&amp;diff=93&amp;oldid=prev"/>
		<updated>2026-05-28T19:14:05Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw-interface=&quot;&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:14, 28 May 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l23&quot;&gt;Line 23:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 23:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Among these...&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Among these...&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:This section in turn refers to major divisions of the collection: seasonal poems, congratulatory poems, love poems, and miscellaneous poems. The &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;symbols &lt;/del&gt;mentioned are probably not intended to refer to any specific poems in the collection.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:This section in turn refers to major divisions of the collection: seasonal poems, congratulatory poems, love poems, and miscellaneous poems. The &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;images &lt;/ins&gt;mentioned are probably not intended to refer to any specific poems in the collection.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;= Analysis =&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;= Analysis =&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l29&quot;&gt;Line 29:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 29:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This section explains the commission of the anthology as well as a precis of its contents. The content description omits some of the sections, and the anthology contains more than &amp;quot;old poems&amp;quot; and &amp;quot;poems of the compilers.&amp;quot; The description here also contains other problematic passages that have never been fully explained.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This section explains the commission of the anthology as well as a precis of its contents. The content description omits some of the sections, and the anthology contains more than &amp;quot;old poems&amp;quot; and &amp;quot;poems of the compilers.&amp;quot; The description here also contains other problematic passages that have never been fully explained.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The specific date given has been interpreted in several ways, all of which are grammatically possible: (1) the date that Daigo commissioned the anthology, (2) the date that the initial selection of poems was made, and (3) the date of the presentation of the collection to the Emperor. This uncertainty is not really about interpretation of the Japanese text -- the third interpretation makes the most sense in the context of the preface to the collection, but it creates chronological problems. There are poems in the KKS that are explicitly later than 905, and also later than 906 (the last year Tsurayuki held the position assigned to him in the preface). A preface in the &#039;&#039;Tsurayuki Collection&#039;&#039; mentions an earlier date. The &#039;&#039;Manajo&#039;&#039; preface also refers to a two-step process in the compilation, with an earlier version called the &#039;&#039;Zoku man&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;yoshu&lt;/del&gt;.&#039;&#039; In any case, the questions about the exact dates of the KKS cannot be solved by this passage.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The specific date given has been interpreted in several ways, all of which are grammatically possible: (1) the date that Daigo commissioned the anthology, (2) the date that the initial selection of poems was made, and (3) the date of the presentation of the collection to the Emperor. This uncertainty is not really about interpretation of the Japanese text -- the third interpretation makes the most sense in the context of the preface to the collection, but it creates chronological problems. There are poems in the KKS that are explicitly later than 905, and also later than 906 (the last year Tsurayuki held the position assigned to him in the preface). A preface in the &#039;&#039;Tsurayuki Collection&#039;&#039; mentions an earlier date. The &#039;&#039;Manajo&#039;&#039; preface also refers to a two-step process in the compilation, with an earlier version called the &#039;&#039;Zoku man&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;yōshū&lt;/ins&gt;.&#039;&#039; In any case, the questions about the exact dates of the KKS cannot be solved by this passage.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The other issue is the claim that the collection contains 1000 poems, when all complete manuscripts of the collection have closer to 1100 poems. It could be that this is just a round number, but rounding down from 1100-ish to 1000 seems rather extreme. Two other possibilities have been offered. One is that this 1000 number refers only to the first 18 volumes of &amp;quot;proper&amp;quot; &amp;#039;&amp;#039;waka,&amp;#039;&amp;#039; excluding the last two volumes. Another is that this refers to the version of the KKS that existed when the preface was written, which had around 1000 poems, and it was later expanded with roughly 100 poems (including those mentioned above that were written after 905).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The other issue is the claim that the collection contains 1000 poems, when all complete manuscripts of the collection have closer to 1100 poems. It could be that this is just a round number, but rounding down from 1100-ish to 1000 seems rather extreme. Two other possibilities have been offered. One is that this 1000 number refers only to the first 18 volumes of &amp;quot;proper&amp;quot; &amp;#039;&amp;#039;waka,&amp;#039;&amp;#039; excluding the last two volumes. Another is that this refers to the version of the KKS that existed when the preface was written, which had around 1000 poems, and it was later expanded with roughly 100 poems (including those mentioned above that were written after 905).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[KKS Kanajo 7|Part 7]] | [[KKS Kana Preface|Contents]] | [[KKS Kanajo 9|Part 9]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[KKS Kanajo 7|Part 7]] | [[KKS Kana Preface|Contents]] | [[KKS Kanajo 9|Part 9]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fujiwaranoteika</name></author>
	</entry>
	<entry>
		<id>https://wakawiki.net/index.php?title=KKS_Kanajo_8&amp;diff=92&amp;oldid=prev</id>
		<title>Fujiwaranoteika: /* Translation */</title>
		<link rel="alternate" type="text/html" href="https://wakawiki.net/index.php?title=KKS_Kanajo_8&amp;diff=92&amp;oldid=prev"/>
		<updated>2026-05-28T19:13:20Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Translation&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw-interface=&quot;&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:13, 28 May 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot;&gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;それが中にも、梅をかざすより始めて、&amp;lt;ruby&amp;gt;郭公&amp;lt;rt&amp;gt;ほととぎす&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;を聞き、紅葉を折り、雪を見るに至るまで、また鶴・亀に付けて君を思ひ、人をも祝ひ、秋萩・夏草を見て妻を恋ひ、&amp;lt;ruby&amp;gt;逢坂&amp;lt;rt&amp;gt;あふさか&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;山に至りて&amp;lt;ruby&amp;gt;手向&amp;lt;rt&amp;gt;たむ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;けを祈りり、あるは春・夏・秋・冬にも入らぬ草々の歌をなん選ばせたまひける。すべて千歌、&amp;lt;ruby&amp;gt;二十巻&amp;lt;rt&amp;gt;はたまき&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;、名づけて古今和歌集と言ふ。&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;それが中にも、梅をかざすより始めて、&amp;lt;ruby&amp;gt;郭公&amp;lt;rt&amp;gt;ほととぎす&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;を聞き、紅葉を折り、雪を見るに至るまで、また鶴・亀に付けて君を思ひ、人をも祝ひ、秋萩・夏草を見て妻を恋ひ、&amp;lt;ruby&amp;gt;逢坂&amp;lt;rt&amp;gt;あふさか&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;山に至りて&amp;lt;ruby&amp;gt;手向&amp;lt;rt&amp;gt;たむ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;けを祈りり、あるは春・夏・秋・冬にも入らぬ草々の歌をなん選ばせたまひける。すべて千歌、&amp;lt;ruby&amp;gt;二十巻&amp;lt;rt&amp;gt;はたまき&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;、名づけて古今和歌集と言ふ。&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Then, the current Emperor has now ruled the land for nine turnings of the four seasons. The waves of his all-encompassing beneficence have gone beyond the eight islands, and the shadow of his broad blessing is deeper than that at the foot of Mount Tsukuha. In moments of leisure from his many governmental tasks, he has not neglected any of the various rites, and therefore, so that the things of old will not be forgotten, and that which has lapsed will be restored, he has seen to this himself, and wishes to transmit to later generations. So on the 18th day of the 4th month of the 5th year of Engi, he commanded Imperial Scribe Ki no Tomonori, Book Master Ki no Tsurayuki, Former Minor Official of Kai Province Oshikochi no Mitsune, and Right Guards Official Mifu no Tadamine, to present old poems that were not included in the &#039;&#039;Man&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;yoshu&lt;/del&gt;&#039;&#039; as well as their own poems.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Then, the current Emperor has now ruled the land for nine turnings of the four seasons. The waves of his all-encompassing beneficence have gone beyond the eight islands, and the shadow of his broad blessing is deeper than that at the foot of Mount Tsukuha. In moments of leisure from his many governmental tasks, he has not neglected any of the various rites, and therefore, so that the things of old will not be forgotten, and that which has lapsed will be restored, he has seen to this himself, and wishes to transmit to later generations. So on the 18th day of the 4th month of the 5th year of Engi, he commanded Imperial Scribe Ki no Tomonori, Book Master Ki no Tsurayuki, Former Minor Official of Kai Province Oshikochi no Mitsune, and Right Guards Official Mifu no Tadamine, to present old poems that were not included in the &#039;&#039;Man&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;yōshū&lt;/ins&gt;&#039;&#039; as well as their own poems.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Among these, they chose poems beginning with poems about adoring one&#039;s cap with plum blossoms, hearing cuckoos, breaking off colored leaves, and extending to those about seeing snow; also, praising one&#039;s lord by comparison to cranes and turtles, longing for one&#039;s wife on seeing autumn &#039;&#039;hagi&#039;&#039; and summer grasses, and praying for safe passage at &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Osaka &lt;/del&gt;Mountain, and then various poems that do not fit as spring, summer, autumn, or winter. They were collected into 20 volumes of 1000 poems, and named the &quot;Collection of Poems Ancient and Modern.&quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Among these, they chose poems beginning with poems about adoring one&#039;s cap with plum blossoms, hearing cuckoos, breaking off colored leaves, and extending to those about seeing snow; also, praising one&#039;s lord by comparison to cranes and turtles, longing for one&#039;s wife on seeing autumn &#039;&#039;hagi&#039;&#039; and summer grasses, and praying for safe passage at &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ōsaka &lt;/ins&gt;Mountain, and then various poems that do not fit as spring, summer, autumn, or winter. They were collected into 20 volumes of 1000 poems, and named the &quot;Collection of Poems Ancient and Modern.&quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;= Notes =&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;= Notes =&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fujiwaranoteika</name></author>
	</entry>
	<entry>
		<id>https://wakawiki.net/index.php?title=KKS_Kanajo_8&amp;diff=91&amp;oldid=prev</id>
		<title>Fujiwaranoteika at 19:11, 28 May 2026</title>
		<link rel="alternate" type="text/html" href="https://wakawiki.net/index.php?title=KKS_Kanajo_8&amp;diff=91&amp;oldid=prev"/>
		<updated>2026-05-28T19:11:35Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw-interface=&quot;&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:11, 28 May 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot;&gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;= Translation =&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;= Translation =&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;かかるに、今、すべらきの天の下しろしめす事、四つの時、&amp;lt;ruby&amp;gt;九返&amp;lt;rt&amp;gt;ここのかへ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;りになんなりぬる。あまねき&amp;lt;ruby&amp;gt;御&amp;lt;rt&amp;gt;おほん&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;うつくしみの波、&amp;lt;ruby&amp;gt;八島&amp;lt;rt&amp;gt;やしま&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;の&amp;lt;ruby&amp;gt;外&amp;lt;rt&amp;gt;ほか&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;まで流がれ、広き&amp;lt;ruby&amp;gt;御&amp;lt;rt&amp;gt;おほん&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;恵みのかげ&amp;lt;ruby&amp;gt;筑波&amp;lt;rt&amp;gt;つくは&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;山の麓よりも繁くおはしまして、万の&amp;lt;ruby&amp;gt;政&amp;lt;rt&amp;gt;まつりごと&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;をきこしめす&amp;lt;ruby&amp;gt;暇&amp;lt;rt&amp;gt;いとま&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;、&amp;lt;ruby&amp;gt;諸々&amp;lt;rt&amp;gt;もろもろ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;の事を捨すたまはぬ余りに、古の事をも忘れじ、ふりにしことをも起こしたまふとて、今も見そなはし、後の世にも伝はれとて、延喜五年四月十八日に&amp;lt;ruby&amp;gt;大内記&amp;lt;rt&amp;gt;だいないき）紀友則、＜御書、ごしょ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;の所の&amp;lt;ruby&amp;gt;預&amp;lt;rt&amp;gt;あづかり&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;紀貫之、先の甲斐の&amp;lt;ruby&amp;gt;少目官&amp;lt;rt&amp;gt;さうくわん&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&amp;lt;ruby&amp;gt;凡河内躬恒&amp;lt;rt&amp;gt;おふしかうちのみつね&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;、&amp;lt;ruby&amp;gt;右衛門&amp;lt;rt&amp;gt;うゑもん&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;の&amp;lt;ruby&amp;gt;府生&amp;lt;rt&amp;gt;ふしゃう&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&amp;lt;ruby&amp;gt;壬生忠岑&amp;lt;rt&amp;gt;みぶのただみね&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;らに仰せられて、&amp;lt;ruby&amp;gt;万葉集&amp;lt;rt&amp;gt;まんえふしふ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;に入らぬ古き歌、自らのをもたてまつらしめたまひてなん。&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;それが中にも、梅をかざすより始めて、&amp;lt;ruby&amp;gt;郭公&amp;lt;rt&amp;gt;ほととぎす&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;を聞き、紅葉を折り、雪を見るに至るまで、また鶴・亀に付けて君を思ひ、人をも祝ひ、秋萩・夏草を見て妻を恋ひ、&amp;lt;ruby&amp;gt;逢坂&amp;lt;rt&amp;gt;あふさか&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;山に至りて&amp;lt;ruby&amp;gt;手向&amp;lt;rt&amp;gt;たむ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;けを祈りり、あるは春・夏・秋・冬にも入らぬ草々の歌をなん選ばせたまひける。すべて千歌、&amp;lt;ruby&amp;gt;二十巻&amp;lt;rt&amp;gt;はたまき&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;、名づけて古今和歌集と言ふ。&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Then, the current Emperor has now ruled the land for nine turnings of the four seasons. The waves of his all-encompassing beneficence have gone beyond the eight islands, and the shadow of his broad blessing is deeper than that at the foot of Mount Tsukuha. In moments of leisure from his many governmental tasks, he has not neglected any of the various rites, and therefore, so that the things of old will not be forgotten, and that which has lapsed will be restored, he has seen to this himself, and wishes to transmit to later generations. So on the 18th day of the 4th month of the 5th year of Engi, he commanded Imperial Scribe Ki no Tomonori, Book Master Ki no Tsurayuki, Former Minor Official of Kai Province Oshikochi no Mitsune, and Right Guards Official Mifu no Tadamine, to present old poems that were not included in the &amp;#039;&amp;#039;Man&amp;#039;yoshu&amp;#039;&amp;#039; as well as their own poems.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Then, the current Emperor has now ruled the land for nine turnings of the four seasons. The waves of his all-encompassing beneficence have gone beyond the eight islands, and the shadow of his broad blessing is deeper than that at the foot of Mount Tsukuha. In moments of leisure from his many governmental tasks, he has not neglected any of the various rites, and therefore, so that the things of old will not be forgotten, and that which has lapsed will be restored, he has seen to this himself, and wishes to transmit to later generations. So on the 18th day of the 4th month of the 5th year of Engi, he commanded Imperial Scribe Ki no Tomonori, Book Master Ki no Tsurayuki, Former Minor Official of Kai Province Oshikochi no Mitsune, and Right Guards Official Mifu no Tadamine, to present old poems that were not included in the &amp;#039;&amp;#039;Man&amp;#039;yoshu&amp;#039;&amp;#039; as well as their own poems.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fujiwaranoteika</name></author>
	</entry>
	<entry>
		<id>https://wakawiki.net/index.php?title=KKS_Kanajo_8&amp;diff=85&amp;oldid=prev</id>
		<title>Fujiwaranoteika: Created page with &quot;Part 7 | Contents | Part 9  = Translation =  Then, the current Emperor has now ruled the land for nine turnings of the four seasons. The waves of his all-encompassing beneficence have gone beyond the eight islands, and the shadow of his broad blessing is deeper than that at the foot of Mount Tsukuha. In moments of leisure from his many governmental tasks, he has not neglected any of the various rites, and therefore,...&quot;</title>
		<link rel="alternate" type="text/html" href="https://wakawiki.net/index.php?title=KKS_Kanajo_8&amp;diff=85&amp;oldid=prev"/>
		<updated>2026-05-28T17:31:49Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;&lt;a href=&quot;/index.php?title=KKS_Kanajo_7&quot; title=&quot;KKS Kanajo 7&quot;&gt;Part 7&lt;/a&gt; | &lt;a href=&quot;/index.php?title=KKS_Kana_Preface&quot; title=&quot;KKS Kana Preface&quot;&gt;Contents&lt;/a&gt; | &lt;a href=&quot;/index.php?title=KKS_Kanajo_9&quot; title=&quot;KKS Kanajo 9&quot;&gt;Part 9&lt;/a&gt;  = Translation =  Then, the current Emperor has now ruled the land for nine turnings of the four seasons. The waves of his all-encompassing beneficence have gone beyond the eight islands, and the shadow of his broad blessing is deeper than that at the foot of Mount Tsukuha. In moments of leisure from his many governmental tasks, he has not neglected any of the various rites, and therefore,...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;[[KKS Kanajo 7|Part 7]] | [[KKS Kana Preface|Contents]] | [[KKS Kanajo 9|Part 9]]&lt;br /&gt;
&lt;br /&gt;
= Translation =&lt;br /&gt;
&lt;br /&gt;
Then, the current Emperor has now ruled the land for nine turnings of the four seasons. The waves of his all-encompassing beneficence have gone beyond the eight islands, and the shadow of his broad blessing is deeper than that at the foot of Mount Tsukuha. In moments of leisure from his many governmental tasks, he has not neglected any of the various rites, and therefore, so that the things of old will not be forgotten, and that which has lapsed will be restored, he has seen to this himself, and wishes to transmit to later generations. So on the 18th day of the 4th month of the 5th year of Engi, he commanded Imperial Scribe Ki no Tomonori, Book Master Ki no Tsurayuki, Former Minor Official of Kai Province Oshikochi no Mitsune, and Right Guards Official Mifu no Tadamine, to present old poems that were not included in the &amp;#039;&amp;#039;Man&amp;#039;yoshu&amp;#039;&amp;#039; as well as their own poems.&lt;br /&gt;
&lt;br /&gt;
Among these, they chose poems beginning with poems about adoring one&amp;#039;s cap with plum blossoms, hearing cuckoos, breaking off colored leaves, and extending to those about seeing snow; also, praising one&amp;#039;s lord by comparison to cranes and turtles, longing for one&amp;#039;s wife on seeing autumn &amp;#039;&amp;#039;hagi&amp;#039;&amp;#039; and summer grasses, and praying for safe passage at Osaka Mountain, and then various poems that do not fit as spring, summer, autumn, or winter. They were collected into 20 volumes of 1000 poems, and named the &amp;quot;Collection of Poems Ancient and Modern.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
= Notes =&lt;br /&gt;
&lt;br /&gt;
;current Emperor&lt;br /&gt;
:Daigo. The 9th year of his reign was the 5th year of the Engi period (905).&lt;br /&gt;
&lt;br /&gt;
;eight islands&lt;br /&gt;
:&amp;quot;Eight&amp;quot; is the usual term for &amp;quot;all,&amp;quot; so this represents Japan. The reference here is simply to praise Daigo&amp;#039;s rule rather than point to any specific way that his influence has spread beyond Japan.&lt;br /&gt;
&lt;br /&gt;
;Tsukuha mountain&lt;br /&gt;
:This may be a reference to [[KKS 1095]].&lt;br /&gt;
&lt;br /&gt;
;Among these...&lt;br /&gt;
:This section in turn refers to major divisions of the collection: seasonal poems, congratulatory poems, love poems, and miscellaneous poems. The symbols mentioned are probably not intended to refer to any specific poems in the collection.&lt;br /&gt;
&lt;br /&gt;
= Analysis =&lt;br /&gt;
&lt;br /&gt;
This section explains the commission of the anthology as well as a precis of its contents. The content description omits some of the sections, and the anthology contains more than &amp;quot;old poems&amp;quot; and &amp;quot;poems of the compilers.&amp;quot; The description here also contains other problematic passages that have never been fully explained.&lt;br /&gt;
&lt;br /&gt;
The specific date given has been interpreted in several ways, all of which are grammatically possible: (1) the date that Daigo commissioned the anthology, (2) the date that the initial selection of poems was made, and (3) the date of the presentation of the collection to the Emperor. This uncertainty is not really about interpretation of the Japanese text -- the third interpretation makes the most sense in the context of the preface to the collection, but it creates chronological problems. There are poems in the KKS that are explicitly later than 905, and also later than 906 (the last year Tsurayuki held the position assigned to him in the preface). A preface in the &amp;#039;&amp;#039;Tsurayuki Collection&amp;#039;&amp;#039; mentions an earlier date. The &amp;#039;&amp;#039;Manajo&amp;#039;&amp;#039; preface also refers to a two-step process in the compilation, with an earlier version called the &amp;#039;&amp;#039;Zoku man&amp;#039;yoshu.&amp;#039;&amp;#039; In any case, the questions about the exact dates of the KKS cannot be solved by this passage.&lt;br /&gt;
&lt;br /&gt;
The other issue is the claim that the collection contains 1000 poems, when all complete manuscripts of the collection have closer to 1100 poems. It could be that this is just a round number, but rounding down from 1100-ish to 1000 seems rather extreme. Two other possibilities have been offered. One is that this 1000 number refers only to the first 18 volumes of &amp;quot;proper&amp;quot; &amp;#039;&amp;#039;waka,&amp;#039;&amp;#039; excluding the last two volumes. Another is that this refers to the version of the KKS that existed when the preface was written, which had around 1000 poems, and it was later expanded with roughly 100 poems (including those mentioned above that were written after 905).&lt;br /&gt;
&lt;br /&gt;
[[KKS Kanajo 7|Part 7]] | [[KKS Kana Preface|Contents]] | [[KKS Kanajo 9|Part 9]]&lt;/div&gt;</summary>
		<author><name>Fujiwaranoteika</name></author>
	</entry>
</feed>