Fujiwaranoteika at 14:56, 10 June 2026

2026-06-10T14:56:47Z

← Older revision		Revision as of 14:56, 10 June 2026
Line 2:		Line 2:

	== Text ==		== Text ==

			[「歌たてまつれ」とおほせられし時、詠みてたてまつる ]

			[ When [the Emperor] said "Submit a poem," [Tsurayuki] read this and submitted it. ]

			[ 貫之 ]

			[ [[Ki no Tsurayuki]] ]

			青柳のいとよりかくる春しもぞ乱れて花のほころびにける

	{{PoemPair		{{PoemPair
	\|orig=		\|orig=
	<poem>		<poem>
			aoyagi no
			ito yori kakuru
			haru shi mo zo
			midare-te hana no
			hokorobi-ni-keru
	</poem>		</poem>

	\|trans=		\|trans=
	<poem>		<poem>
			The blue willow
			Twists and drapes its thread
			It is in spring
			That it is chaotic
			And the flowers bud forth.
	</poem>		</poem>
	}}		}}
Line 17:		Line 35:
	== Notes ==		== Notes ==

			A few manuscripts put this poem after [[KKS 27]] which would attribute the poem to [[Bishop Henjō]]. The ''Kokin waka rokujō'' also credits Henjō for the poem.

			;Thread / chaotic / bud
			:There are a series of ''engo'' (related words) for clothing: "thread", ''haru'' ("spring" and "stretch (cloth"), and ''hokorobu'' ("tear (cloth") and "bud forth"). Some commentators apply the "chaotic" to profusely blooming blossoms as well, but Takeoka and Katagiri both reject this because it is too early in the season for that kind of poem.

	Other sources:		Other sources:
Line 23:		Line 45:

	== Analysis ==		== Analysis ==

			This poem follows from the previous one in its use of the clothing imagery -- Kaneko(1927) found it too similar to [[KKS 23\|poem 23]], although the specific imagery is different. Everyone seems to agree with Tsuneyori that the clothing is just used for wordplay or metaphor. The wordplay evokes the scene as well as playfully suggesting that the willows cause the flowers to come forth.

			Although the poem does not appear in any pre-modern selections of good poetry, it receives the usual extravagant praise by modern scholars that most Tsurayuki poems do. Miura(1943) thought there was an interesting conflict between the elegance of the poem and the chaos of the imagery, and with the use of ''engo'' and the personification of the willow, this shows Tsurayuki's skill. Kubota(1937) found the poem complex, beautiful, and fresh. Takeoka pointed to the delicacy of the imagery along with the chaos, and Matsuda(1968) thought it showed Tsurayuki's personal skill.

			Kubota and Matsuda also saw Chinese influence here, particularly to Six Dynasties poetry. The metaphor of thread for willow fronds, as well as the "chaotic" growing willows, are both found in such sources.

	[[KKS 25\|Previous poem]] \| [[KKS 27\|Next poem]]		[[KKS 25\|Previous poem]] \| [[KKS 27\|Next poem]]

Fujiwaranoteika: Created page with "Previous poem | Next poem == Text == {{PoemPair |orig= |trans= }} == Notes == Other sources: * ''Shinsen waka'' | ''Kokin waka rokujō'' | ''Wakan rōeishū'' == Analysis == Previous poem | Next poem Category:Spring Category:Willows Category:Flowers"

2026-06-10T14:49:45Z

Created page with "Previous poem | Next poem == Text == {{PoemPair |orig= <poem> </poem> |trans= <poem> </poem> }} == Notes == Other sources: * ''Shinsen waka'' | ''Kokin waka rokujō'' | ''Wakan rōeishū'' == Analysis == Previous poem | Next poem Category:Spring Category:Willows Category:Flowers"

New page

[[KKS 25|Previous poem]] | [[KKS 27|Next poem]]

== Text ==

{{PoemPair
|orig=
<poem>

</poem>

|trans=
<poem>

</poem>
}}

== Notes ==

Other sources:

* ''[[Shinsen waka]]'' | ''[[Kokin waka rokujō]]'' | ''[[Wakan rōeishū]]''

== Analysis ==

[[KKS 25|Previous poem]] | [[KKS 27|Next poem]]

[[Category:Spring]]
[[Category:Willows]]
[[Category:Flowers]]

KKS 26 - Revision history

Fujiwaranoteika at 14:56, 10 June 2026

Fujiwaranoteika: Created page with "Previous poem | Next poem == Text == {{PoemPair |orig= |trans= }} == Notes == Other sources: * ''Shinsen waka'' | ''Kokin waka rokujō'' | ''Wakan rōeishū'' == Analysis == Previous poem | Next poem Category:Spring Category:Willows Category:Flowers"