KKS 24 - Revision history

Fujiwaranoteika: /* Notes */

2026-06-08T18:28:29Z

Notes

← Older revision		Revision as of 18:28, 8 June 2026
Line 35:		Line 35:
	== Notes ==		== Notes ==

	Other sources:		Other sources:

	*
	* ''[[Kokin waka rokujō]]'' \| ''[[Wakan rōeishū]]'' \| ''[[Shinsen waka]]''		* ''[[Kokin waka rokujō]]'' \| ''[[Wakan rōeishū]]'' \| ''[[Shinsen waka]]''
	* ''[[Korai		* ''[[Korai fūteishō]]'' \| ''[[Teika hachidaishō]]''

	== Analysis ==		== Analysis ==

Fujiwaranoteika at 18:27, 8 June 2026

2026-06-08T18:27:15Z

← Older revision		Revision as of 18:27, 8 June 2026
Line 43:		Line 43:
	== Analysis ==		== Analysis ==

	The meaning is fairly clear -- the pine trees are known for being evergreen, but in the spring when everything is turning green, even the pine trees deepen one shade. The ~~{{Teika\|~~''Bishamon ~~tendo chu~~''}} cites a Chinese precedent for this idea from the ''~~Wen Xuan~~''. Since pines are often on mountains, there is a connection from the previous poem's mountain wind to this one.		The meaning is fairly clear -- the pine trees are known for being evergreen, but in the spring when everything is turning green, even the pine trees deepen one shade. The ''Bishamon tendō chū'' cites a Chinese precedent for this idea from the ''Wén Xuǎn''. Since pines are often on mountains, there is a connection from the previous poem's mountain wind to this one.

	There does seem to be some disagreement over whether pine trees actually deepen in color (~~{{Teika\|~~Jakuei}}, ~~{{Modern\|~~Kaneko}}, many other 20th century scholars) or whether this is simply the perception of the poet because everything is turning green (~~{{Denju\|~~''Engoki''}},Takeoka).		There does seem to be some disagreement over whether pine trees actually deepen in color (Jakuei, Kaneko(1927), many other 20th century scholars) or whether this is simply the perception of the poet because everything is turning green (''Engoki'',Takeoka).

	As with some of the previous poems, ~~the {{Nativist\|Chokudenkai}}~~ reads a political meaning into this -- the thriving of those who received promotions. The ~~{{Denju\|~~Naikakubunko commentary}} thought that in the context of the poetry collection, this was praising the Empress for receiving the Emperor's love. But not all older commentaries took this line; ~~{{Denju\|Sogi}}~~ praised it for its naturalness and feeling.		As with some of the previous poems, ''Jidenkai'' reads a political meaning into this -- the thriving of those who received promotions. The ''Naikakubunko'' commentary thought that in the context of the poetry collection, this was praising the Empress for receiving the Emperor's love. But not all older commentaries took this line; Tō no Tsuneyori praised it for its naturalness and feeling. The 19th century scholar Nagano Yoshitoki (''Uta no taii'') lavished praise on the poem for the beauty of the words, the lack of obvious artifice, and the excellent evocation of a spring scene.

	[[KKS 23\|Previous poem]] \| [[KKS 25\|Next poem]]		[[KKS 23\|Previous poem]] \| [[KKS 25\|Next poem]]

Fujiwaranoteika: Created page with "Previous poem | Next poem == Text == 寛平御時后きさいの宮の歌合うたあはせによめる Read at the Empress' Poetry Competition in the Kampyō era 源宗于朝臣 Lord Minamoto no Muneyuki ときはなる松の緑も春くればいまひとしほの色まさりけり {{PoemPair |orig= tokiwanaru matsu no midori mo haru kure-ba ima hitoshio no iro masari-keri ..."

2026-06-08T18:23:42Z

Created page with "Previous poem | Next poem == Text == 寛平御時<ruby>后<rt>きさい</rt></ruby>の宮の<ruby>歌合<rt>うたあはせ</rt></ruby>によめる Read at the Empress' Poetry Competition in the Kampyō era 源宗于朝臣 Lord Minamoto no Muneyuki ときはなる松の緑も春くればいまひとしほの色まさりけり {{PoemPair |orig= <poem> tokiwanaru matsu no midori mo haru kure-ba ima hitoshio no iro masari-keri </poem>..."

New page

[[KKS 23|Previous poem]] | [[KKS 25|Next poem]]

== Text ==

寛平御時<ruby>后<rt>きさい</rt></ruby>の宮の<ruby>歌合<rt>うたあはせ</rt></ruby>によめる

Read at the [[Empress' Poetry Competition in the Kampyō era]]

源宗于朝臣

Lord [[Minamoto no Muneyuki]]

ときはなる松の緑も春くればいまひとしほの色まさりけり

{{PoemPair
|orig=
<poem>
tokiwanaru
matsu no midori mo
haru kure-ba
ima hitoshio no
iro masari-keri
</poem>

|trans=
<poem>
The neverchanging
Green of the pine trees too
When spring comes
Now is one more shade
Deeper in color.
</poem>
}}

== Notes ==

Other sources:

*
* ''[[Kokin waka rokujō]]'' | ''[[Wakan rōeishū]]'' | ''[[Shinsen waka]]''
* ''[[Korai

== Analysis ==

The meaning is fairly clear -- the pine trees are known for being evergreen, but in the spring when everything is turning green, even the pine trees deepen one shade. The {{Teika|''Bishamon tendo chu''}} cites a Chinese precedent for this idea from the ''Wen Xuan''. Since pines are often on mountains, there is a connection from the previous poem's mountain wind to this one.

There does seem to be some disagreement over whether pine trees actually deepen in color ({{Teika|Jakuei}}, {{Modern|Kaneko}}, many other 20th century scholars) or whether this is simply the perception of the poet because everything is turning green ({{Denju|''Engoki''}},Takeoka).

As with some of the previous poems, the {{Nativist|Chokudenkai}} reads a political meaning into this -- the thriving of those who received promotions. The {{Denju|Naikakubunko commentary}} thought that in the context of the poetry collection, this was praising the Empress for receiving the Emperor's love. But not all older commentaries took this line; {{Denju|Sogi}} praised it for its naturalness and feeling.

[[KKS 23|Previous poem]] | [[KKS 25|Next poem]]

[[Category:Spring]]
[[Category:Pine Trees]]